The 4th Five of my Top 25

The Big Shot Chronicles - Game Theory
Well, it's kind of a cheat to put a record on this list that I play on, but this is the record that truly changed my life. The circumstances behind the scenes were quite unusual, to say the least. It was recorded in the middle of a national tour at Mitch Easter's Drive-In Studio with a brand spanking new line-up in 1985. At the same time, I was going through some severe emotional stuff regarding my personal life which required me to fly back to the Bay Area immediately after I laid down my drum tracks. After one or two days of that supremely gut wrenching adventure, I flew back to Winston Salem. (there was a very cool little field trip upon my return that involved some of us driving to Durham with Faye and Angie to see the dB's!). I think the album was all completed (including mixing?) in about a week, and then we were off again to finish the tour! But the results were sweet - Mitch put us all at ease, gently coaxed great performances out of us and I think this is Scott Miller's greatest and most concise pop album.


End Of The Day - The Reivers
Pure and unadulterated comfort-pop for me, featuring twanging guitars, evocative, slightly melancholic lyrics (Star Telegram) and the soaring vocals of one of my favorite singers of all time - Kim Longacre. She absolutely tears up Lazy Afternoon, and John Croslin rips a great guitar solo to match her performance. Austin Texas had a lot going on around this time and I found myself taken by another mixed sex band - Glass Eye (for some reason I seem to favor that particular type of line-up, dunno why really, but I guess I just prefer a bit of estrogen to balance out the usual rock and roll testosterone!) But it's all about Ms. Longacre here, and it's her vocal prowess, (along with Croslin's writing) that can bring tears to my eyes.


About Us - The Stories
Though recorded in 1972, it wasn't until around 1989 that I discovered this amazing band, thanks to Michael Quercio who either mentioned them or played some tracks during a van ride in the short lived but very fun Miller, Quercio, Becker and Ray version of Game Theory. Of course I had heard the mega-hit Brother Louie a million times on the radio back in the day, but that song has very little to do with what The Stories are really about. For starters, Michael Brown's writing is rich and rewarding (I'm hard pressed to name a more beautiful pop song than The Left Banke's Pretty Ballerina !), and he continues writing gems in this band. Love Is In Motion is wonderful with a very pretty, and unique melody. The boys can rock hard when called upon, with strength and obvious talent. The arrangements are powerful and at times tricky (Darling and Hey France are real standouts).
While Ian Lloyd's voice my be an acquired taste for some, I think it fits perfectly in here and he can nail some difficult parts.



Nonesuch - XTC
I've loved XTC from the get go. When I was just starting to get into punk and new wave, their early LPs fit in comfortably with my prog-rock leanings with their quirky, fast and jagged rhythms. Over the years they have smoothed out much of that (though rhythmically they can can still get very adventurous) and have become possibly the finest pop band on their sweet earth. I say their sweet earth because they have such an earthy, organic root that conjures up olde - time England and pagan rites. But don't underestimate Andy's nasty snarl when he finds it appropriate to tongue lash a crooked politician, or a society that allows injustice. The Ballad Of Peter Pumpkinhead is clean and perfect pop, driven by the band's always slashing and driving guitar parts. Moulding's My Bird Performs is one of my wife's absolute fave pop tunes and it nicely balances out some of the hectic tendencies Partridge provides. Dear Madam Barnum is more spot-on pop from Andy, and well...I could go on (God! How about Dave Mattacks' drumming! This band has never had a bad drummer!), but Dexter is attacking the keyboard, but I will say that these guys make damn near perfect music.


Vortex - Christmas
This recording just seemed to have appeared at a record store one day, without me hearing a word about it. Frankly, I thought they had broken up by 1993, and I was already well on my way to being a big fan of Michael Cudahy's ultra-fantastic ultra- lounge core band Combustible Edison , but fortunately I was wrong! Christmas is a strange band that can get way out there with epic arrangements, but still have the smarts and the gifts to make drop-dead beautiful melodies fit in with their expansive style of writing along with their kick-ass live shows. I was lucky enough to witness one of their shows with my pal Robert at the Berkeley Square and was outright floored by Michael's frantic and huge stage presence. And holding it all together was Liz Cox, who not only impressed me with her navigation around some very tricky tunes, but her ability to sing, and sing well while playing! The cut to seek out here is Almighty. Featuring sublime twists and turns, and a perfect vocal by Ms. Cox, it reminds me of the pure pleasures to be had from just listening.